Friday, September 25, 2020

Photo Gallery Of Abhinay Academy

Abhinay Academy Aarangetram Photos

LEGENDS OF Bharatnatyam

Rukmini Devi

Born in a Brahmin family in Madurai on 28thFebruary 1904. She came from a village called Thiruvayur with rich association of saint Tyagaraja. Her background was full of culture and learning. She got married to Dr. George Arundale in 1920 who was an educationist. With him she traveled Europe giving lectures on Indian culture. In Australia she learned Russian Ballets from a legendary Russian ballerinaAnnaPavlova. It was she who advised her to learn Indian Classical dance. So when she came to India She met PandanallurMeenakshiSundarampillai and took lessons from him. She also studied from Gauriamma and Muthukumar. She brought about a great revolution in the field of Bhartanatyam.

She established the Kalakshetra in training students in the art of bharatanatyam. Kalakshetra laid emphasis on correct movements and thorough training. The art of Nattuvangam is also taught here. Here one learns how to conduct dance and Music in choreography and composition. It has therefore gained reputation as an international dance centre.

She corrected the theory of dance and Music.
Costumes were designed artistically.
Chose exquisite jewellery and ornaments.
She laid emphasis on selection of padams and highlighted the spiritual aspect of the contents.

Padma Subramanyam

A rare combination of a flawless dancer, choreographer, music composer, singer, research scholar, teacher and author, Dr. Padma Subramanyam is one of the most respected and reputed Bharatanatyam dancers of India. She was born on 4th February, 1943 in Chennai. Her father was K. Subramanyam who was a famous director and also a freedom fighter. Her mother was Meenakshi was a lyricist in Sanskrit and Tamil, dancer, choreographer and a flawless instrumentalist who mastered the Violin, Veena and Harmonium. Given here is a short biography of Padma Subramaniam that covers her life history.

She is currently the director of "Nrutyodaya", which is a dance school that was founded by her father in the year 1942. She started to learn dance at Nrutyodaya under the guidance of a teacher named Kausalya. She was also trained later on by Guru VazhuvoorRamaiahPillai. Her first public performance known as "Arangetram" was in the year 1956. After that, she gave innumerable performances in concerts all over the world. She also continued her education side by side.

Padma Subramanyam never let her studies suffer because of her performances and busy schedule. She has got a Bachelor's degree in Music, Master's in Ethno Musicology and Ph.D in dance from Annamalai University. She has been a research scholar and has written a thesis on "Karanas in Indian dance and sculpture". She laid emphasis on the fact that the 108 Karanas or units of dance are not just poses but movements. She has also designed the sculptures of the Karanas of Lord Shiva with his consort Parvati that are kept in the Nataraja Temple at Satara, located in Maharashtra. She has composed music for most of compositions and has also released a couple of albums.

Padma Subramanyam was the first dancer to introduce "Pushpanjali" as a dance piece. She has written many articles that have been compiled as "Legacy of a Legend". She has also composed a Bengali Varanam, the first of its kind whose lyrics have been penned by SalilChaudhry. Padma Subramanyam enchants spectators with perfect movements and hand gestures and emotes beautifully with her face. This versatile dancer has received many awards and honors that are listed below.

Alarmel Valli

Alarmel Valli holds the distinction of being the leading proponent of the Pandanallur tradition in Bharatanatyam. People have applauded her for bringing depth, passion and spontaneity into her work. One of the most creative artists of today, AlarmelValli became the youngest dancer to be conferred with Padma Shri award. She has performed in almost all the major festivals in India and has also displayed her talent in most of the cultural capitals of the world. Read on further to explore the complete biography cum life history of AlarmelValli.

Alarmel Valli was born in the year 1957 and developed an interest in dance right from her childhood. She received formal training in dance by the renowned guru ShriChokkalingamPillai and his son ShriSubbarayaPillai. Thereafter, Alarmel came under the tutelage of Smt. T. Mukha and studied Padams and Javalis for many years. She learnt Odissi from Guru KelucharanMohapatra and his disciple, Guru RamaniRanjan Jena. At the young age of 16 years, Valli was invited to perform at the International Dance Festival of the Sarah Bernardt Theatre De La Ville, in Paris.

Then onwards, started her journey as on one of the internationally recognized dancers of India. She has been touring since then, on a regular basis, and has received acclamation for her dance performances in leading theatres throughout the world. AlarmelValli is also involved in lecture demonstrations, classes, workshops and seminars. She is responsible for creating an international awareness about Bharatanatyam. AlarmelValli founded 'Dipashikha', a Center for Performing Arts, in the year 1984. The center was set up with the aim of imparting training to promising new artists.

AlarmelValli has involved herself in research work, for around 12 years, on classical Tamil anthologies of Sangam poetry. She has tried to use dance performances for bringing the beauty of the poem in front of the people. Her own distinct style, which emerged as a result of her practice as well as research, has enriched the domain of Bharatanatyam. Alarmel has brought a contemporary interpretation to the traditional framework of classical Indian dance. Presently, she is staying abroad, with her husband BhaskarGhosh, former I&B secretary and former director general of Doordarshan.

Yamini Krishnamurthy

AlarmelValli holds the distinction of being the leading proponent of the Yamini Krishnamurthy is an eminent classical dancer of India. She has attained her mastery over the dances of Bharatnatyam and Kuchipudi. Yamini was born in 1940 at Chidambaram in Tamil Nadu. She took birth in a Telugu family, on a full moon night. On seeing the child, her grandfather instantly named her YaminiPoornatilaka which suggests "a beautiful mark on the brow of light." Since childhood, Yamini was fond of dancing and her desire was to become a dancer.

When she was merely five years old, she went to Chennai in order to learn dance at Kalashetra School of Dance under the direction of Rukmini Devi Arundale. Following the basics of dance at Kalashetra, Yamini went for advanced studies of dance. She took training from the marvels of dance field like KanchipuramEllapaPillai, ThanjavurKittapaPillai, DhandayudhpaniPillai and MylaporeGouriAmma. Vedantam Lakshmi NarayanaShastri, ChintaKrishnamurthi and PasumarthyVenugopal Krishna Sharma were the trainers of Yamini for Kuchipudi.

The dancing art of Odissi was to Yamini by PankajCharan Das and KelucharanMohapatra. In 1957, Yamini gave her debut stage performance at Chennai. This performance made her an overnight star as she captivated the people with her charismatic performance. She acknowledged herself on the International panorama by the year 1960. Yamini appeared as one of the leading classical dancers of India.

Through her alluring dance performances, Yamini popularized Kuchipudi all over the world. She received national and international appreciation for her dance. Yamini received the credit of being AsthanaNartaki (Resident Dancer) of the TirumalaTirupatiDevasthanam (context regarding India). Her dance talent brought many awards to her fame. In 1968, Yamini got the title of 'Padma Shree' by the Government of India. She received `SangeetNatak Academy Award' in 1977 and 'Padma Bhushan' in the year 2001.

Above and beyond her stage performances, Yamini produced a serial based on dance for Doordarshan. She also wrote a book, `A Passion for Dance' that was appreciated by the readers. In 1990, Yamini established 'Yamini School of Dance' at HauzKhas, New Delhi. She teaches dance skills to the young dancers at her institute. After continuing more than 40 years of dance journey, Yamini is still active with her dancing skills.

Anita Ratnam

Anita Ratnam is one of the most talented dancers of the Indian subcontinent. She has been trained as a Bharatanatyam, Mohiniattam as well as a Kathakali dancer and is counted amongst the best choreographers of the South. Anita is also handling the responsibility of being a cultural commentator, writer and speaker on the performing arts. One needs to applaud her for the role she is playing in the promotion of Indian dance internationally. Get more information on the life history of Anita Ratnam with this biography.

Anita received formal training in dance from Adyar K. Lakshmanan. Later, she enrolled herself in Rukmini Devi Arundale's 'Kalakshetra' for a Postgraduate diploma in Dance. She is a trained Bharatanatyam, Kathakali and Mohiniattam dancer. Anita completed her Master's degree in Theatre and Television from the University of New Orleans. Then, she worked as a Television Producer in the United States for a period of approximately ten years. As an appreciation of her work, Anita was nominated for the Emmy and Ace awards. Anita also made a foray into films and played the role of an antagonist in Rajiv Menon's famous movie, 'KandukondainKandukondain'.

Anita wrote Natya Brahman, a book for dance students, and also served as the editor and publisher of 'Narthaki', a directory of Indian dance. She is the Founder-Director of 'Arangham', an organization based in Chennai that is involved in the promotion of performing arts. She regularly takes part in dance and theatre seminars in foreign destinations, right from the Far East to Europe to United States. Anita is one of the main persons responsible behind the initiation of 'The Other Festival', held in Chennai every December for promotion of contemporary Indian dance. In her career of three decades, she has given over 1000 performances in 15 countries and made immense contribution in the field of classical dance.

Mallika Sarabhai

Versatility could very well be Mallika Sarabhai's middle name. She is not just a fabulous dancer of Bharatanatyam and Kuchipudi but also a film maker, editor, TV anchor, social activist and a famous alumnus of IIM Ahmedabad. She is the daughter of the famous scientist Vikram Sarabhai and reputed dancer Mrinalini Sarabhai. Intelligence and talent is in her genes. Despite being a gracious dancer and performing most of the time, she never ignored academics. She in fact has an MBA degree and a doctorate in "Organizational Behavior" from IIM Ahmedabad. Her life history is very interesting. Read it in this short biography of Mallika Sarabhai.

She was trained by R. Acharyelu in Kuchipudi. Her sharp features and exotic looks prompted her to do some films in the Indian film industry. She has also portrayed the role of Draupadiin Peter Brooke's "Mahabharata" that was made in two languages, English and French. She has won the highest civilian award of France known as "French Palme D'or''. She also won the "Best Solo Artist" award among 400 dancers who had come from 25 countries.

Mallika Sarabhai is also a social activist and has stood up for many causes. She, along with her mother Mrinalini manages the Darpan Academy of Performing Arts. It is a center for performing arts where talent is encouraged and is given a platform to be showcased. The academy also publishes books that address environmental concerns, depict the rich cultural heritage of India, show women in a better light, etc. Mallika Sarabhai is truly a woman of many dimensions and talents.

Mirnalini Sarabhai

Mrinalini Sarabhai was educated in Switzerland and had received a training in dance steps in Dalcroz.

When she came to India she began her training in Bharatanatyam under MuthukumarPillai. She also studied under MeenakshiSundaramPillai, ChokalingamPillai and EllapaPillai.Later got married to Dr Vikram Sarabhai and settled in Ahmedabad. In 1948 she founded the dance academy called “Darpana” for imparting training in Bharatanatyam and other allied arts. She was also a well known choreographer of several dance dramas. Mirnalini has attempted contemporary interpretations of mythological themes. She has received awards from the French archives international Iela and SangeetNatak Academy for her creative experiments with choreography.

Bala Saraswti

She was looked upon as a child prodigy and a brilliant dancer by Pandits and Vidhwans in those days. She did her Arangetram when she was seven years old in 1925 at kamakshi Amman Temple at kancheepuram. Kandappa was great guru of Bala.

She was known for her enchanting, inimitable and exquisite sancharibhavas in Abhinaya. As a singer of great repute, music seeped through her body and reflected in all her movements.

At the Edinburg Festival Bala was acclaimed as a great dancer on International platform. The tamilnadugoverment and national centre of performing arts has prepared a documentary on her directed by Styajit Ray. Dr Narayan has written a book Balasaraswati published by international cultural centre New Delhi in 1963.

Meenakshi Sundaram Pillai

She was Born On September 22, 1869 in the family of suryakumarNattuvanar who was a renowned musician and scholar. His wife was the daughter of the great Ponnaiya. He received his initial training under kumaraswamyNattuvanar who was his aunt’s son.

Later on in the 1934 he came to madras when invited by Rukmini Devi. She underwent a thorough training under him.

He died in 1954 leaving a gap which can never be filled up. He was a Modest guru and was addressed as “Tata” by his students. His Style was known as the Pandanallur school of Bharatanatyam. It is known for its Broad sweeping movements, exquisite framing of Teeramanams with beautiful Adavus. His students are ThiruvalputhurRajalakshmi, Jeevaratnam, PandanallurJayalakhmi, ChokalingamPillai, Kandappa, His son Muttaiah.

ITEM OF Bharatnatyam

Alaripu

A presentation of the Tala punctuated by simple syllables spoken by the dancer. This really is sort of an invocation to the gods to bless the performance. Alaripu is performed in different jatis. Tishra, Mishra, Chatushra, Sankirna are the different types of jatis.

Kautuvam

Ancient temple dance item performed in the beginning of the recital, containing rhythmic syllables sung for jathis.

GanapatiVandana

A traditional opening prayer to the Hindu god Ganesh, who removes obstacles.

Todayamangalam

A starting dance in which we show respect towards the god. This item was adopted from the karnatic music margam.A beautiful example of a todayamangalam is "jayajankakiRamana"

Jatiswaram or Jathiswaram

An abstract dance where the drums set the beat. Here the dancer displays her versatility in elaborate footwork and graceful movements of the body. Here the Dancer displays the Korvai in a rhythmic form. Jatiswaram or Jathiswaram brings out three aspects of dance: unity of music, rhythm and movements.

Shabdam

The dancing is accompanied by a poem or song with a devotional or amorous theme. Shabdam is usually depicting graceful movements in a story or a poem.

Varnam

The center piece of the performance. It is the longest section of the dance punctuated with the most complex and difficult movements. Positions of the hands and body tell a story, usually of love and the longing for the lover.

Padam

Probably the most lyrical section where the dancer "speaks" of some aspect of love: devotion to the Supreme Being; or of love of mother for child; or the love of lovers separated and reunited.

Stuti

Hymn in praise of a deity that may contain a feigned mockery, etc.

Koothu

Item containing a lot of dramatic elements.

Javali

Javalis are relatively new, pure abhinaya types of compositions of light and pleasing nature. Like Padams the underlying theme of Javalis is Sringara Rasa depicting the Nayaka-Nayakibhava.

Tillana

The final section is a pure dance (nritta) when the virtuosity of the music is reflected in the complex footwork and captivating poses of the dancer. Apart from these items, there are items such as Shlokam, Swarajathi, Krithi etc. The performance concludes with the chanting of a few religious verses as a form of benediction. Certain styles include more advanced items, such as TharangaNritham and SuddhaNritham. When a dancer has mastered all the elements of dance, as a coming out performance, he or she generally performs an Arangetram (debut).

Angikam

This is a devotional song on Lord Shiva and an item dance in BharataNatyam. It can also be performed in byapti slow motion. The words for the shloka are " AngikamBhuvanamYasya, VachikamSarvaVangmayam, Aaharyam Chandra Taradhi, TvamNumahSatvikamShivam".

Thursday, September 24, 2020

Cource Of Bharatnatyam

Cource And Syllabus Of Bharatnatyam

Prarambhik
Practical
- Tattadav
- Nattadav
- Periyadav
- Ta Tai Tai Tat Adav
- Tai Tai Tam
- Pakkhadav
Theory
- Asamayukta Hasta
- Siro Bheda
- Fingares Name
- Meaning Of Namaskara
- Explain Saustvang
- Undarstanding About Tala & Laya
Praveshika Prathama
Praveshika Purna
Madhyama Pratham
Madhyama Purna
Upantya Visarad
Visarad
Alankar Part-1
Alankar Part-2

About Bharatnatyam

BharataNatyam also spelled Bharatanatyam, is a classical Indian dance form that originated in the temples of Tamil Nadu. This dance form denotes various 19th- and 20th-century reconstructions of Sadir, the art of temple dancers called Devadasis. It was described in the treatise NatyaShastra by Bharata around the beginning of the common era. BharataNatyam is known for its grace, purity, tenderness, expression and sculpturesque poses. Lord Shiva is considered the God of this dance form. Today, it is one of the most popular and widely performed dance styles and is practiced by male and female dancers all over the world.

Dance Tradition

One of the 81 BharataNatyam dance positions carved on the outer wall of the upper storey of PeruvudaiyarKoyil, Thanjavur.

Surviving texts of the golden age of Tamil literature and poetry known during the Sangam Age such as the Tolkappiyam, as well as the later Silappadikaram, testify to a variety of dance traditions which flourished in these times. The latter work is of particular importance, since one of its main characters, the courtesan Madhavi, is a highly accomplished dancer. The Silappadikaram is a mine of information of ancient Tamil culture and society, in which the arts of music and dance were highly developed and played a major role.

In ancient times it was performed as dasiattam by mandira (Hindu temple) Devadasis. Many of the ancient sculptures in Hindu temples are based on BharataNatyam dance postures karanas. In fact, it is the celestial dancers, apsaras, who are depicted in many scriptures dancing the heavenly version of what is known on earth as BharataNatyam. In the most essential sense, a Hindu deity is a revered royal guest in his temple/abode, to be offered the "sixteen hospitalities" - among which are music and dance, pleasing to the senses. Thus, many Hindu temples traditionally maintained complements of trained musicians and dancers, as did Indian rulers.

In Kali Yuga, the center of most arts in India is Bhakti (devotion) and therefore, BharataNatyam as a dance form and carnatic music set to it are deeply grounded in Bhakti. BharataNatyam, it is said, is the embodiment of music in visual form, a ceremony, and an act of devotion. Dance and music are inseparable forms; only with Sangeetam (words or syllables set to raga or melody) can dance be conceptualized. BharataNatyam has three distinct elements to it: Nritta (rhythmic dance movements), Natya (mime, or dance with a dramatic aspect), and Nritya (combination of Nritta and Natya).

Tamil Nadu, especially Tanjore, has always been the seat and centre of learning and culture. It was the famous quartet of Chinnayya, Ponniah, Sivanandam and Vadivelu of the Tanjore Court during the Marathi King Saraboji’s time (1798–1824) which made a rich contribution to music and BharataNatyam and also completed the process of re-editing the BharataNatyam programme into its present shape with its various forms like the Alarippu, Jathiswaram, Sabdham, Varnam, Tillana etc. The descendants of these four brothers formed the original stock of Nattuvanars or dance teachers of BharataNatyam in Tanjore. The dance forms can be big or small.

An ancient traditional art form with its origins steeped in divinity, Bharata Natyam reflects the culture of India at its best.

The performer (male or female) is usually a soloist accompanied by a minimum of two musicians and usually four for a full-scale concert. The dancer uses the space as her own sacred temple and brings the audience into her magical circle as she performs and acts out stories with Gods and Goddesses from Indian mythology, folk tales and stories with emotional content. Being a living art form it has continued to enrichen itself changing with the times yet keeping its pristine beauty and nature intact. Linear geometrical patterns, a perfect balance of the body, eloquents of expression, and precision of footwork to intricate mathematical rhythms are the hallmarks of this dance.

The dance originated 5000 years ago and comprises of several arts like sculpture, painting, theatre, literature, music, dramaturgy, and poetry. Young girls were dedicated to the temples at the early age of eight years where they underwent a strict discipline in the above related arts to fully understand, comprehend and evoke the sentiments required of them as dancers. Their tutelage was conducted under eminent performers of the arts who were either the established temple dancers known as “Devadasis” (Servants of the Gods) or ‘Rajadasis’ those who were the courtesans of the state and kingdom. The art form originated in the southern part of India in the state of Tamil Nadu and flourished greatly under the patronage of several kings some of whom were composers of the poetry and musical compositions that the dancers performed to and have handed down this rich tradition by word of mouth.

The dance itself is divided into two categories, which are the pure dance ‘NRTTA’ and the expressional dance ‘NRITYA’. In the pure dance abstract patterns are woven to complex rhythmic pattern played by the drummer. The dancer and drummer synchronize and create geometrical patterns with precision as the vocalist sings to a separate time measure yet all performers almost seeming to be at their own different time measures conclude simultaneously. Within a framework of basic 35 time measures several more are created. The dance is sculpturesque and the art of iconography comes to life as one witnesses in the hands of a proficient performer the limitless dimensions of this highly venerated art form. The dance is flourishing in its country of origin and has a large following amongst those initiated to its intricacies and cultural concepts. Performers have become virtual cultural ambassadors of India representing its cultural heritage at its best.

Online Admission Form

Click Here For Fill

Online Admission Form

For JoinClass

Wednesday, September 23, 2020

Pay Us

Payment Section

Pay Fees

To Know Your Feed Please Click Here

For New Admission

After complete Payment Please Fill Admission Form And Attach Your Receipt Or Screenshot With Transaction Number With Document.

Click Here For Fill Admission Form

For Pay Next Installment :

Send Your Receipt Or Screenshot With Transaction Number On abhinayacademy@gmail.com OR Whats app Us On +91 6353969707